Strandell’s work in Moving Image is an intermediary space between  her photography, painting, and lenticular prints. Her subjects have been the mod-baroque, tromploi, and nature. The works are developed with with considerations for the spatial anxieties and characteristics within the sublime found in nature, culture and technology. Influenced by the adage media of GIF, she allows the constructions of these tropes to converse with both Edward Muyridge and pop animation channels; while holding the viewer in longer time sequences of interactive suspension.